“I come from this cultured family, but at the same time I was completely left alone as a kid. “I was not raised in that world at all,” she insists. Bertie Watson/DeadlineĪ cynic might attribute her swift rise to nepotism-Seydoux’s grandfather is the chairman of Pathé, her granduncle is the chairman of Gaumont, and there are other industry connections in the family-but there were no easy rides as she set about becoming an actress, and her family didn’t create any opportunities for her. Blue is the Warmest Color was a defining film-on which, more later-but she had already been nominated for three César awards by then, and her career in Hollywood had taken root with films like Inglourious Basterds and Robin Hood-which both got Cannes premieres-as well as Mission: Impossible – Ghost Protocol.
She made her first visit in 2007, not long after her career began, and in the 14 years since, she has established herself as one of France’s most beloved exports. It is certainly fitting that Seydoux will own the Croisette, more than two years on from the festival’s last real edition. “Of course, it feels like home a little bit.” “I have many strong memories in Cannes,” she says. And she remains one of only two actors-the other her co-star, Adèle Exarchopoulos-ever awarded the prize for their performance. She has missed only one edition of the festival since 2013, the year she shared in the Palme d’Or win for Blue is the Warmest Color.
But it is true, also, that Cannes is a second home to Seydoux. She had shot three of the films before the world shut down in the Spring of 2020, and she was able to shoot the fourth-the Desplechin-in the Fall, squeezing it in between waves of the virus.
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